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Shooting Black & White Just Got Different With LR Classic 9.2

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If you like shooting in black & white, you’ll love this new addition to Lightroom Classic

Many photographers who work in black & white prefer to setup their cameras with a monotone profile so that live-view and reviews on the camera back are in black and white. This helps them see the scene in black and white while shooting. Camera manufacturers use various terms for profiles, such as Picture Mode or Picture Style, as shown in the Canon EOS R menu in Figure 1.

Figure 1

But when the raw files are imported into Lightroom they come in as color. This is because Lightroom replaces the in-camera profile no matter if it’s Landscape, Portrait, Monotone or whatever with a standard profile named Adobe Color. Now in the latest release of Lightroom Classic (9.2) an addition to the Presets preferences gives us the ability to import raw photos with the in-camera profiles that were used during capture.

To set this up go to Lightroom > Preferences (Mac), Edit > Preferences (Win) and choose the Presets tab. Then all you need to do is change the Master menu to Camera Settings instead of Adobe Default, as shown in Figure 2 below. Now when you import raw files from any of your cameras, the camera profile used in-camera is used in Lightroom automatically.

Figure 2

To see which profile Lightroom Classic is using, go to the Profile section at the top of the Basic panel in the Develop module. If your camera was setup for monotone, you’ll see the profile listed as shown in Figure 3 below. The best part is that you can change the raw file back to color by choosing Color in the Treatment section at the top of the Basic panel.

Figure 3

One thing I want to caution you about. If you have previously created import defaults for your cameras using the old method (Develop > Set Camera Defaults) to add settings like chromatic aberration correction during import, those settings will no longer be applied. The easiest way to solve this problem is to create a custom develop preset with the settings you want. Then you can choose this preset during the import process to add those settings to your raw files as they import. Figure 4 shows where I have selected an import preset  that applies lens corrections and chromatic aberration removal. This is actually simpler than the old way of saving camera defaults because you only need to create one develop preset for all cameras instead of saving defaults for each camera.

Figure 4

Naturally this isn’t just limited to monotone profiles/styles. It works for any profile you want to use in-camera when shooting raw. And the best thing is you can always revert back to the Adobe Standard profile, or any other profile you want, by changing the profile in Lightroom’s Develop module.

 

 

 

 

 

What Colors Do You See?

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I had a conversation with a commercial photographer friend yesterday that got me thinking about color blindness and photography. Color perception is something many of us take for granted, but you would be surprised at how many people suffer from some form of color perception deficiency (commonly called color blindness). For many people this has little real impact on their lives. But for photographers seeing color accurately can be important.

Can you see the number in this pattern?
Can you see the numbers here?

The photographer I spoke to yesterday told me his color perception is weak in the red/green spectrum, which is the most common form of color blindness that affects 99% of color blind people. My friend said that whenever he needs to adjust critical color on images that have predominant red and green colors, he asks his wife (who sees color quite well) to look over his shoulder.

I have met several photographers who have various stages of color perception deficiency, from mild to severe.  Each has developed methods for successfully dealing with color in his or her photography. The key here is these people are aware of their color blindness. If you don’t know if you have a color deficiency, there’s an easy way to find out.

Several years ago I was a supervisor at a professional photo lab where I managed a group of highly-skilled color correcters. When we needed to hire a new person for the team, one of the first things I would do during the interview was to have the applicant take a Ishahara Color Blindness Test to determine if he or she could see all ranges of the color spectrum. This test, which was developed early last century, is the most well know color perception test in use today.

The Ishahara Color Blindness Test consists of 38 printed plates of patterns like the one shown above. You can take an online version of the test here. Though the online version isn’t as accurate as the printed plates, you can still get a good idea of what colors you can see, or more importantly the colors you can’t see. Then you’ll know if you need to develop strategies for dealing with color when it comes to critical adjustment. One thing to keep in mind when you take the test is that many people with normal color vision still don’t pass the test free of errors.

Interesting facts about color blindness:

  • About 8% of all men are suffering from color blindness.
  • About 0.5% of all women are suffering from color blindness.
  • A father can’t pass his red-green color blindness on to his sons.
  • If a woman is red-green colorblind, all her sons will also be colorblind.
  • Strongly colorblind people might only be able to tell about 20 hues apart from each other, with normal color vision this number raises to more than 100 different hues.
  • See 45 other interesting facts about color blindness here.

 

 

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